摘要
随着智能手机成为人们生活中最重要的社交和娱乐终端,竖屏影像的流行也成为人们社交和娱乐中必然面对的变化。以手机为终端的竖屏影像和影视为终端的横屏影像,在生态构成、美学形式、社会功能、接受方式等方面有着明显的区别,竖屏影像应该开始逐步建立属于自己的影像世界。
As smart phones become the most important terminals in people's lives to socialize and entertain, the popularity of vertical screen films has also become an inevitable change in people's social and entertainment. Comparing the vertical screen film with mobile phone as the terminal and the horizontal screen film with the screen as the terminal, we can see that they have obvious differences in ecological composition, aesthetic form, social function and acceptance.Vertical screen films should begin to gradually build their own image world.
出处
《电影艺术》
CSSCI
北大核心
2019年第3期102-106,共5页
Film Art
基金
国家社科基金艺术学项目"基于虚拟现实技术的电影创作研究"的阶段性成果(批准号:17BC051)
关键词
竖屏影像美学
竖屏生态
the aesthetics of vertical films
vertical screen ecology