摘要
伴随着媒体技术的发展,数字美颜迅速从专业领域、艺术领域涌入日常生活领域,在引领和诠释关于身体的新型美学主张的同时,亦影响和重塑了人们的社会交往方式和生活方式。这种现象背后驻藏的不仅是新传播革命剧场中的身体美学和图像政治,更是一种宏大的基于身体、科技与社会变迁的"后人类"剧目。基此,从保罗·维利里奥(Paul Virilio)的图像逻辑演进史出发,剖析作为"自我图像术"的数字美颜如何彰显反常逻辑时代的图像特征和形象焦虑,并在日常生活和社会交往中发挥重塑主体和主体性的作用,进而分析这种形象生产如何透射了主体"自我物化"的倾向,并成为"后人类"转向的典型指征。
With the development of media technology, the application of digital beautifying is rapidly spreading from professional fields and art works to daily lives. It influences and reshapes people's social communication and lifestyle, as well as creates new ideas of body aesthetics. Behind this phenomenon, there lies not only the body aesthetics and image politics in the theatre of new communication revolution, but also a post-human drama based on the changes of body, technology and society. From the view of Paul Virilio's image evolution history, this paper analyzes three questions: How does digital beautifying become a self-image technique which show the characteristics and anxieties in an abnormal logic era of image? How does digital beautifying reshape the subject and subjectivity in daily lives and social interaction? How does such an image producing system reflect the self-materialization tendency and typically indicate the post-human turn?
作者
刘丹凌
LIU Dan-ling(School of Journalism and Communication, Southwest University, Chongqing, 400715?PRC)
出处
《西北师大学报（社会科学版）》
CSSCI
北大核心
2019年第4期48-55,共8页
Journal of Northwest Normal University(Social Sciences)
基金
重庆市社会科学规划项目“新传播革命语境下的媒介焦虑研究”(2017YBCB058)
关键词
数字美颜
形象焦虑
自我物化
主体危机
后人类
digital beautifying
image anxiety
self-materialization
subject crisis
post-human
