写意与表现:由杜威表现观引发的艺术哲学思考

Xie-Yi and Expression:Thinking on Philosophy of Art Initiated by Dewey’s View of Expression

在关于艺术的论述中,无论是纯粹诞生于中国传统美学的“写意”概念,还是在西方美学史上确立起来的“表现”概念,都因其直接关乎艺术的本性而在当代艺术哲学语境中持续保持着鲜活的生命力。本文围绕艺术与自然、表现与再现、写意与生命这三个方面,旨在通过阐发杜威对西方表现主义美学的批判以及对艺术表现的理论建构,进而将其与中国美学中对写意的探讨加以比较与反思,从中总结对今天仍具启发意义的思想内容。

In the discussion of art, both the concept of uXie- Yin totally born in Chinese traditional aesthetics and the concept of "expression” established in the history of western aesthetics keep the vitality in the context of contemporary philosophy of art. The reason lies in their fundamental embodiment of the nature of art. The paper starts with Dewey's criticism of western expressionist aesthetics and his positive theoretical construction of artistic expression. Initiated by Dewey, the paper conducts a dialogue with the notion of Xie-Yie laborated by Chinese aesthetics. The dialogue and reflections on philosophy of art focus on three pairs of relaci on ship: art and nature, expression and representation, Xie-Yi and life to carry out a constructive fusion and mutual inspiration on the related subjects.