“有”“无”的智慧与境界——以担当上人画语录为例看中国艺术精神之境界修证

On Wisdom and Realm of "Being" and "Non-being":Taking Dandang’s Painting Quotations as an Example to Study the Realm of Chinese Art Spirit

担当上人画语录中涉及“有”“无”之辩证关系,“有”与“无”是研究中国文化的一个核心问题,于“有”“无”之间证得非“有”非“无”的“中道”,更是精神境界修正的一个基本路向。作为求道者的担当,其最后在绘画中所表现的“若有一笔是画也非画,若无一笔是画亦非画”以及“画中无禅,惟画通禅,将谓将谓,不然不然”等,实源于其人生的存在体验与境界修证。担当的艺术围绕着他的理想追求,将诗书画融合在一起,追求简淡、荒疏的境界,形成了独特的个人风格。

The dialectical relationship between "being" and "non-being" in the quotations of Dandang's paintings is a central issue in the study of Chinese culture, and the "Golden Mean" of not "being" and not "non-being" proved from between "being" and "non-being" turns out to be the very path for correction of the spiritual realm. Being a seeker of the Law, Dandang made his last presentations in his paintings of“if there's a single stroke of painting, it's no painting, if there's not a single stroke of painting, it's no painting”and“No Zen in the painting, only painting can communicate Zen, will say, will say, otherwise, otherwise”etc., which actually stems from his life experiences of existence and his spiritual realm corrections. Dandang's art revolves around his ideals,combines poetry, calligraphy, and painting into an integrated whole, and pursues a simple and unsophisticated realm, thus forming a unique personal style.