摘要
《资本论》与美学之关系并非一个陌生话题,我国文艺理论和美学研究论著中多有引鉴《资本论》。《资本论》的前期著述《巴黎书稿》历来被作为马克思主义美学的基本思想资源,相关论著迄今有十余种之多,而以《资本论》为对象的美学论著未见一部。《巴黎手稿》与《资本论》之间具有美学问题的连续性,重视《资本论》研究可望推进新时代美学发展。
The relationship between Das Kapital and aesthetics in China is not a strange topic.There are many references to Das Kapital in literary theory and aesthetic research works.The Paris Manu-script,the earlier work of Das Kapital,has always been regarded as the basic ideological resource of Marxist aesthetics.There are more than ten kinds of related works so far,but none of them has ever been written with Das Kapital as its object.Paris Manuscript and Das Kapital have the continuity of aesthet-ic problems.Attaching importance to the study of Das Kapital is expected to promote the development of aesthetics in the new era.
作者
陆晓光
Lu Xiaoguang(East China Normal University,Shanghai,200006)
出处
《语文学刊》
2019年第3期23-30,共8页
Journal of Language and Literature Studies
基金
国家社科项目(11BZW018)成果《〈资本论〉美学研究》的绪论之一
关键词
马克思
资本论
巴黎手稿
美学
实践
Marx
Das Kapital
Paris Manuscripts aesthetics
practice