摘要
国产动漫《那年那兔那些事儿》将国家角色拟物化,在讲述近中国近现代史上发生的一系列重大历史事件的同时,从二次元文化特点切入,塑造萌化的视听形象,利用“虐点”“燃点”的扁平化叙事策略,勾起受众群的情感共鸣,完成了民族想象共同体的建构,赢得了巨大反响和好评,带来了“二次元民族主义”的新局面。
Chinese cartoon Na Nian Na Tu Na Xie Shi’er narrates a serial of important historic events through the personification of the characters of different nations.It cuts in from the characteristics of two-dimensional culture,making use of cute images of characters and adopting flat narrative strategy to carry target readers away with tears and excitement.This cartoon completed the construction of shared imagination of the whole nationality and gained positive comments and popularity,creating a new era of“two-dimensional nationalism.”
作者
王艳萍
Wang Yanping(Huaqiao University,Quanzhou 362000,Fujian)
出处
《武汉工程职业技术学院学报》
2019年第2期53-56,共4页
Journal of Wuhan Engineering Institute
关键词
二次元
二次元文化
二次元民族主义
萌点
想象共同体
《那年那兔那些事儿》
two-dimensional
two-dimensional culture
two-dimensional nationalism
nationality
cuteness
shared imagination
Na Nian Na Tu Na Xie Shi’er