浅析《芳华》——小说到电影的叙事转换

A Simple Analysis of Fang Hua: Narrative Conversion of the Novel to the Film

电影最终呈现在观众眼前的是极具个性化的精神作品,小说到电影中间存在着改编剧的叙事转换问题。从冯小刚导演改编严歌苓小说《芳华》的叙事转换入手,分析两种不同叙事类型在叙事视角、叙事时空、情节方面发生的转换,以及两者之间的微妙差异和效果。

The final presentation of the film to the audience is a very personalized spiritual works,the novel to the film exists an adaption problem of narrative conversion.Starting from the narrative conversion of Yan Geling's novel Fang Hua adapted by director Feng Xiaogang,this paper analyzes the conversion of two different narrative types in the aspects of narrative perspective,narrative time and space,and plot,as well as the subtle differences and effects between them.