摘要
金圣叹是明清鼎革之际的“才子”和“评点家”,陶渊明是晋宋易代之间的“隐士”和“诗人”。金诗在陶渊明的传统形象之外,凸显其“遗民”“贫士”和“高僧”形象;诗中对陶渊明的人格形象的“借用”,是金圣叹精神情怀的另类书写;同时,金诗援引和化用了大量的“陶渊明意象”,背后蕴含了金圣叹个人的心理取向和精神指向。金圣叹对陶渊明大幅度受容是二者家世背景、现实基础、心理根源、诗学渊源等多种因素合力共振的结果。
Jin Shengtan was a "genius" and "commentator" in the late Ming and early Qing Dynasties,while Tao Yuanming was a "hermit" and "pastoral poet" in the late Jin and Song Dynasties.Jin Shengtan depicted the traditional personality images of Yuanming's hermit,poet and drinker and highlighted the distinct characteristics of the adherent,poor and monk in his poems.The borrowing of Tao Yuanming's personality image in his poems is an alternative writing of Jin Shengtan's spiritual feelings.Meanwhile,a large number of "Tao Yuanming poetry images" were cited and utilized,which contained Jin Shengtan's personal psychological orientation and spiritual pursuit.Jin Shengtan greatly accepted and recognized Tao yuanming,which was mainly the result of the combined resonance of their background,reality basis,psychological factors,emotional tone,ideological origin and other factors.
作者
卢洁
LU Jie(College of Humanities and Communications,Shanghai Normal University,Shanghai 200234,China)
出处
《江苏科技大学学报(社会科学版)》
2019年第2期43-48,共6页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
关键词
金圣叹
陶渊明
人格形象
意象
借用
接受
Jin Shengtan
Tao Yuanming
the personality image
the poetic image
metonymy
acceptance