摘要
建筑现象学研究从其思想取向来看,可分为两种:一种是基于海德格尔的存在主义哲学,另一种是基于莫里斯.梅洛—庞蒂的知觉现象学。这两种理论走向都是以现象学之父胡塞尔的基本思想方法——还原事物(现象)本身为基石。斯蒂文.霍尔从知觉现象学出发,提出建筑“现象区”维度。在“现象区”的各组成要素中,时间周而复始,时间变亦不变,在绵延的时间中,寂静、孤独的建筑空间体验印刻成脑海中最深刻的场景记忆。
In view of its ideological orientation, architecture phenomenology can be divided into two styles: one is Heidegger’s existentialism philosophy, and the other is the phenomenology of perception created by Maurice Merleau Ponty. The trends of these two architectural theories are both based on Husserl’s basic phenomenological theory, which is to restore things (phenomena) themselves as their cornerstone. Steven Holl puts forward the phenomenal zones from the phenomenology of perception. In the constituent elements of the phenomenal zones, time begins and flies, meanwhile, in the continuous time, the silent and lonely architecture space experience is engraved in the deepest memory of the scene.
作者
叶盛
Ye Sheng(Faculty of A rchitecture and Urban Planning, Kunming University of S cience and Technology, Kunming Yunnan 650500, China)
出处
《城市建筑》
2019年第7期86-88,共3页
Urbanism and Architecture
关键词
知觉现象学
斯蒂文.霍尔
建筑体验
感官建筑
现象区
phenomenology of perception
Steven Holl
architecture perception
sensuality in architecture
phenomenal zones