后殖民批评视域下的《阿飞正传》主题思想研究

A Study on the Theme of “Days of Being Wild” from the Perspective of Postcolonial Criticism

《阿飞正传》拍摄于二十世纪九十年代初,导演王家卫在其中运用大量隐喻意象,借二十世纪六十年代香港青年的“困惑”与“追寻”表现了港人在全球后殖民浪潮中的生存状态与抗争策略。同时,电影中大量应用的传统文化元素也体现了王家卫作为电影工作者面对国际后殖民大环境以想象方式重塑中国文化所采取的积极策略。

Days of Being Wild was filmed in the early 1990s. Karwai Wong used a lot of metaphorical images in Days of Being Wild. He drew on the “perplexity” and “pursuit” of Hong Kong youth in the 1960s to show the survival status and struggle strategy of Hong Kong people in the global post-colonial wave. At the same time, the extensive application of traditional cultural elements in the movie Days of Being Wild reflects the positive strategies that Karwai Wong, as a filmmaker, has adopted to reshape Chinese culture in an imaginative way in the international post-colonial environment.