摘要
随着经济转型,我国倡导精工精制,复兴工匠文化,各行各业刮起了践行"工匠精神"的热潮。然而,大众对于"工匠精神"是一种趋大流的追捧,缺乏对其正确的认识,过分强调对传统手工技艺的复辟,而忽略其现代化发展。通过对百工家具历史与发展进行深入研究,以史料和具体的行业发展为例分析其背后承载的生产力发展蓝图与手工业者的造物精神,从百工家具文化角度分析"工匠精神"的内涵,强调应恪守"工匠精神"的普适性与开放性以及善用文化所带来的民族自信心,以期对家具行业发展有更好的帮助。
With the economic transformation, China advocates the refinement of fine workmanship and the revival of craftsman culture. The practice of "craftsman spirit" has been booming. However, the public’s pursuit of "craftsman spirit" is a trend, lacking correct understanding of it, which overemphasizes the restoration of traditional craftsmanship and neglects its modern development. Through a deep study of the history and development of the handicraftsman furniture, this paper, according to historical data and specific industry development, studies the blueprint of productivity development and the craftsman’s creative spirit in handicraftsman furniture. This paper analyses the connotation of "craftsman spirit" from the perspective of furniture culture, and emphasizes that the universality and openness of "craftsman spirit" and the national self-confidence brought by good use of culture should be abided by, so as to provide reference for its better integration and development in furniture industry.
作者
吴双双
关惠元
Wu Shuangshuang;Guan Huiyuan
出处
《家具与室内装饰》
2019年第5期35-37,共3页
Furniture & Interior Design
基金
国家林业公益性行业科研专项(201204700202)
江苏高校优势学科建设工程资助项目(PAPD)
关键词
百工家具
工匠精神
家具文化
造物精神
Handicraftsman furniture
Craftsman spirit
Furniture culture
Creative spirit