剧场性在文本理论中的建构与当代扩展

The Construction and Contemporary Expansion of Theatricality in Text Theory

罗兰·巴尔特认为剧场由符号的意指实践和观看行为组成,并将这种剧场性泛化到自己的理论运作中。在后来的文本理论实践中,剧场性逐渐被建构一种哲学演示的思维方式,包括时间的实体化、身体性和符号、文本的运作,以及观看行为和被看的状态。剧场性在文本理论中的扩展反哺当代戏剧艺术,也异质同构走向社会层面。

Roland Barthes believes that theatre consists of practice of symbols and behavior of viewing. He put his understanding of theatricality into its own theoretical operation. In his later textual theory practice, theatricality was constructed into a philosophical way of thinking, including the materialization of time, the operation of physicality /symbol /text, and the state of viewing and being seen, creating so - called“Philosophical theatre”. The expansion of the theatricality in the text theory influences performance arts in turn, and spread to contemporary social operation in the way of heterogeneous isomorphism.