“银幕城市”的空间美学

The Space Aesthetics of “Screen City”

电影向城而生,依城而长,城市深刻影响整个电影文化和产业系统。银幕空间一直在积极为呈现城市空间服务。“银幕城市”的空间美学分三种:“套娃空间”与“反套娃空间”;“第三空间”抑或“第四空间”;“乌托邦空间”“敌托邦空间”和“异托邦空间”。这三种概括分别着眼于电影与城市互动关系、电影与现实多元关联、电影与社会意识表现维度。我们应该积极利用“银幕城市”的空间美学规律,更好发展电影文化产业。

Movies come into being and grow in the city. The city has a profound impact on the whole film culture and industrial system. Screen space has been actively serving the presentation of urban space. The space aesthetics of“screen city”can be summarized in three ways:“doll space” and“anti - doll space”,“third space”or “fourth space”,“utopian space”,“dystopian space” and“heterotopian space”. These three generalizations focus on three dimensions: the interactive relationship between film and city, the multiple relationships between film and reality, and the expression of film and social consciousness. We should actively utilize the space aesthetic laws of“screen city”to better develop the film culture industry.