魏晋“注”用“论”法新探——兼论《文心雕龙》“论”“注”观

Study of Method of Regarding “Annotating” as “Explanation” in Wei and Jin Dynasties:Viewpoint in The Literary Mind and the Carving of Dragons

在以王弼、何晏为代表的魏晋新注,对于传统经注而言,明显的突破就是取“论”于“注”。将“论”与“注”相结合,不再拘泥于经注字句的训诂和名物的考释,转而以推阐义理为务。最早关注到此文体现象的是《文心雕龙·论说》,从理论的高度厘清了“论”“注”二体及之间的关系。魏晋新注不仅有理论构建,还有创作实践。就表现形式而言,大致分为同向论、异向论、同异向“论”兼之;就表现方式而言,主要采用“辨名析理”法与“否定的方法”两种。取“论”于“注”文体现象的形成渊源自有,包括经义辩难、玄学与清谈以及魏晋“子书”文体功能衰落等,共同影响并推动了魏晋新注的产生。

In Wei and Jin dynasties, an obvious characteristic of the new annotation style, represented by Wang Bi and He Yan, was regarding“annotation”as“explanation”. The philological exegesis changed gradually to the philosophical study by combining of “explanation”and “annotation”. The Literary Mind and the Carving of Dragons clarifies the relationship between “explanation”and“annotating”from theoretic level at the earliest. In the Wei and Jin times, there are not only theoretical construction, but also creative practice in new annotating, including pattern and mode of manifestation. In addition, formation of new annotating had completed.