“双位双义”之“丿”——白石谱“掣”“拽”研究

A Study on "Che" and "Zhuai" in Jiang Baishi’s Music

《白石道人歌曲》中俗字谱包括谱字与符号两类,谱字用于标记音高,符号标记音的长短和快慢等。在白石谱中共使用六个符号,其中“丿”号的运用比较特殊,此符号分别记写在音高谱字的右方和下方两种位置。文章提出“双位双义”的观点,认为两种位置的普遍运用,不是流传过程中的错抄讹传所致,说明姜白石俗字谱歌曲中的这个符号因记写位置的不同会有不同的含义,即写在谱字右方的为“掣”,写在谱字下方的是“拽”。

The musical notation in Jiang Baishi’s Songs includes notational characters and symbols.The notational characters are used to mark pitch while the length of notes and the tempo are marked by the symbols.A total of six symbols are used.This paper puts forward the viewpoint of"double position and double meaning",and holds that the universal use of the two positions is not caused by misreading in the process of circulation.The symbols will have different meanings because of their different positions.That is,on the right side of the notational characters for the"che"and written under the notational characters is"zhuai".