改革开放40年云南戏剧的芳华

The Youth of Yunnan Theatre in the 40 Years of the Reform and Opening Up

云南戏剧剧种多、生态杂、民族特色鲜明,在全国戏剧文化格局中特点突出。改革开放以来,滇剧、话剧、京剧、花灯剧和少数民族剧种白剧、彝剧、傣剧、云南壮剧的艺术生产水准总体提高很快,成就斐然,戏剧理论与批评获得了奠基性发展,戏剧产品结构日趋丰富和多重,作为省会城市的昆明出现了“庭院戏剧运动”动向,这对城市文化秩序和艺术生产资源都具有重组和拓展的深刻意义。总体说来,昆明的戏剧文化市场慢热回暖,观众稳步增多,戏剧院团发展条件仍需努力提供。

Yunnan theatre is unique in the layout of Chinese theatrical culture because the genre of Yunnan theatre is diverse, the ecology of Yunnan theatre is mixed and the ethnicity is special. After the reform and opening up, the general production level has been improved fast in the genres of Dian opera, drama, Peking opera, Huadeng opera and ethnic minores’ operas such as that of Bai, Yi, Dai and Zhuangpeoples. In general, a lot of achievements were made, theatrical theories and critiques have been developed, the structure of the theatrical products is rich and diverse, and the trend of “courtyard theatrical movement” appeared in Kunming, the cap ital city of Yunnan, all of which are meaningful as they restructure and expand the urban cultural order and artistic cultural resources. Generally speaking, the theatrical cultural market of Kunming is warming up, the audience is increasing while the condition for the development of theatrical troupes is still needed.