改革开放40年云南美术创作的成就及其影响

Achievements and Implications of the Creation of Fine Arts in Yunnan in the 40 Years of the Reform and Opening Up

改革开放以来,云南美术的发展在中外传统艺术的交融和学习中实现了自主性的现代性变革。在中国画创作中,“云南画派”的产生是云南美术的第一个高峰;在油画创作中,地域性的探索打开了油画如何本土化创作的窗口;在版画创作中,“绝版木刻”的出现关键性地解决了油印套色版画技法上的重大创新问题;在水彩粉画中,以彩性代替水性的绘制手法已不再局限于即时即兴的表现;在美术理论研究中,云南民族地域作为研究对象的专史著作成为主要的撰写形式;在与东南亚美术交流中,云南省美术馆和博物馆越来越多地扮演着与南亚、东南亚交流中重要枢纽的角色。

Since the Reform and Opening Up, development of fine arts in Yunnan experienced automatic modern revolution with the integration and learning of Chinese and foreign traditional arts. In the creation of Chinese paintings, the “Yunnan School” is the first peak of Yunnan fine arts;in the creation of oil painting, local exploration opened the window of localizing the creation of oil painting;in the creation of block printing, the appearance of “out of print block” resolved the significant innovative problem of mimeograph color block techniques;in the creation of watercolor and gouache, historical works on ethnic areas in Yunnan became a main writing type;in the exchange of Yunnan and Southeast Asia, Yunnan Provincial Gallery and Yunnan Provencal Museum play a key role in the communication with South Asia and Southeast Asia.