略论贺绿汀的音乐美学思想

A Brief Discussion on He Luting’s Musical Aesthetic Thoughts

贺绿汀(1903—1999)是我国近现代音乐史上著名的作曲家、音乐理论家、音乐批评家、音乐教育家。他的不少音乐文论都或多或少反映了他对音乐艺术的美学思考,本文从其专涉音乐美学问题的三篇文章谈起,概括了贺绿汀音乐美学思想中最值得注意的几个方面,如:音乐与现实生活的关系;音乐语言的特殊性问题;音乐内容与形式的关系;形式与手段的美学辩证等问题。从上述问题既可发现贺绿汀音乐美学思想的延续性,又可见其音乐创作观念与其音乐美学思想的高度一致。贺绿汀先生关于音乐艺术的许多美学思考以及他对音乐美学在音乐实践中之重要意义的高度肯定,对于当下的音乐美学研究与音乐文化发展依然具有不可忽视的理论价值与现实意义。

He Luting (1903-1999) was a celebrated composer, musical theorist, musical theorist and musical educator in the modern musical history of China. Most of his musical papers reflect his thoughts on musical aesthetics. Focusing on He’s three papers on musical aesthetics issues, this paper summarizes the most noteworthy aspects of his musical aesthetical thoughts, such as the relationship between musical and realistic life, the particularity of musical language, the relationship between musical content and its form, and aesthetic dialectics of form and means, etc. From the above issues, we can not only find the continuity of He luting’s musical aesthetic thoughts, but also the high consistency between his musical creative concepts and his musical aesthetic thoughts. He’s musical aesthetic thoughts and the significance of his musical aesthetic on musical practice are highly praised, which still have theoretical value and practical significances that cannot be ignored for the current musical aesthetic researches and musical cultural development.