摘要
话剧剧本《蔡文姬》集中呈现了郭沫若在社会主义新中国建立后迥异于现代知识分子“感时忧国”传统的家国新体验。这种新体验包括对国族复兴之新时代的体认、情感困境化解之新方式的体味,也体现在作者对于文人姿态之调整的肯定中。郭沫若的家国新体验,主要缘于其作为“有机知识分子”对于社会主义新政权的公共理想和社会理念的认同。
Guo Moruo′s drama Cai Wenji reflects Guo′s different feeling and experience of the new country to others obsession with China after the founding of the People′s Republic of China.This new experience includes the understanding of the na.tional rejuvenation of the country,the resolution of the emotional dilemma,and also the author′s affirmation of the adjustment of the literati′s posture.Guo Moruo′s new experience in his home country is mainly due to his recognition as an"organic intellec.tual"for the public ideals and social ideas of the new socialist regime.
作者
吕东亮
LV Dong-liang(College of Literature,Xinyang Normal University,Xinyang Henan 464000,China)
出处
《廊坊师范学院学报(社会科学版)》
2019年第2期21-27,共7页
Journal of Langfang Normal University(Social Sciences Edition)
基金
2014年国家社科基金青年项目“十七年文学批评史研究”(14CZW011)
关键词
《蔡文姬》
郭沫若
家国新体验
文人姿态
有机知识分子
Cai Wenji
Guo Moruo
new experience of home and nation
literati stance
"organic intellectual"