摘要
中国佛教艺术受到印度“佛迹”与佛艺的双重影响,同时又在历史的演进传播中有着自身民族的独特性。本文试图聚焦佛教陶瓷造像、佛教陶瓷装饰纹样的具象,阐述陶瓷器物与佛教教理的人文化成义及“入乡随俗”过程中之民艺化、福田化特征,揭橥其根柢不离佛陀“慈悲双运”本怀与三藏法义精神。
Chinese Buddhist art is influenced by the Indian Buddhist relics and Buddhist art. While it has maintained with its own national characteristics in the evolution and dissemination to history. The paper attempted to focus on the representation of Buddhist ceramic statues and decorative patterns in Buddhist ceramics, expounding the righteousness of ceramic artifacts and Buddhist doctrines of the characteristics of folk privatization and Fu Tian in the process of "do as the Romans do". It is based on the Buddha's " amiable and pathos compassion and the spirit of the Tripitaka righteousness.
作者
黄吉宏
Huang Jihong(Jingdezhen Ceramic Institute ,Jingdezhen,333403 China)
出处
《陶瓷研究》
2019年第1期32-38,共7页
Ceramic Studies
基金
2017年度江西省社会科学规划项目“形、气、神范畴下的工艺美术批评模式研究”(项目编号:17YS35)
关键词
陶瓷器物
佛教理式
艺术精神
ceramics
buddhist doctrine
artistic spirit