中西艺术融合下的康熙宜兴胎画珐琅茶器

Kangxi Yixing Tea Ware with Painted Enamel in the Integration of Chinese and Western Art

珐琅工艺自17世纪从欧洲传入中国,并在清廷的直接资助和扶持下,于康熙后期烧制成功。宜兴胎珐琅茶器由清代宫廷造办处烧制,专门为皇室而用,为康熙时期独有。康熙画珐琅技术发展之初,仰赖西洋传教士的技术协助,宜兴胎画珐琅茶器在装饰、构图和表现技法上均受到西洋绘画风格的影响。但是,这一时期的宜兴胎画珐琅茶器并不是单纯地模仿西洋绘画,在画样选择上仍以中国传统的花卉题材为主,而对于西方的装饰元素,则采取选择性吸纳的方式。

The craft of enamelling was introduced from Europe in the 17th century. Under the direct support of the Qing court, the craftsmanship was successfully burned in Kangxi’s later years. The Yixing Red Stoneware painting Enamel tea ware is fired by the palace office of the Qing Dynasty and is used exclusively by the royal family. It is unique to the Kangxi period .At the beginning of Kangxi's technique development, relying on the technical assistance of Western missionaries. Yixing Red Stoneware Painting Enamel tea ware was influenced by Western painting style in decoration, composition and performance techniques. However, Emperor Kangxi did not simply imitate. In the choice of paintings, he mainly used Chinese traditional paintings and floral motifs, and adopted selective absorption of Western decorative elements.