摘要
泼墨画法最早始于唐朝时期,这是中国水墨画体系中十分重要的一部分。这种泼墨的绘法方式,主要特点就是创作方式的自由多变,不可重复。水墨的随机挥洒流动,没有重点的表现点与线的传统形式,这种随笔描绘,变化多端的表现形式可以划分为大写意画的范畴。而青花的绘制方式也可以结合这种泼墨的画法进行装饰,本文就泼墨写意画法在青花花鸟画中的流变展开论述。
Ink-splashing painting began in the Tang Dynasty, which is a very important part of the Chinese ink painting system. The main feature of this ink-splashing painting method is that the creative method is free and changeable and can not be repeated. The random sprinkling flow of ink and wash, without the traditional form of key points and lines, can be divided into the category of freehand brushwork. Blue and white painting can also be combined with this ink-splashing painting decoration, this paper discusses the evolution of ink-splashing freehand painting in blue and white bird painting.
作者
程丽霞
Cheng Lixia(Biyutang Porcelain Space, Jingdezhen, 333000)
出处
《陶瓷研究》
2019年第1期126-128,共3页
Ceramic Studies
关键词
泼墨
写意
青花
花鸟
ink splashing
freehand brushwork
blue and white
flowers and birds