民族书写与现代性探索——当代广西少数民族诗歌论

National Writing and Modernity Exploration——A Study of Contemporary Guangxi Minority Poetry

20世纪50年代中期至70年代中期,以韦其麟、苗延秀、包玉堂等为代表的广西少数民族诗歌呈现出民族化书写与民间叙事形式的特征。受当时时代背景的影响,早期少数民族诗歌的政治化特征明显,这种政治色彩在新时期之后逐渐淡化。新世纪以来,以冯艺、黄芳、许雪萍、林虹、费城等为代表的广西少数民族诗歌在早期诗人民族书写的基础上吸收与创作,在全球化语境中,创作形式呈现出逐渐由民族书写与民间叙事传统向审美现代性过渡的趋势。

From the mid-1950s to the mid-1970s, Guangxi minority poems represented by Wei Qilin, Miao Yanxiu and Bao Yutang showed the characteristics of nationalized writing and folk narrative forms. Under the influence of the “mainstream” ideology of the state, the earlyminority poetry was obviously politicized by the state, which gradually faded after the new period. Since the new century, Guangxi minority poems represented by Feng Yi, Huang Fang, Xu Xueping, Lin Hong and Fei Cheng have absorbed and created on the basis of the ethnic writing of early poets. In the context of globalization, the creation forms gradually show a trend of transition from ethnic writing and folk narrative tradition to aesthetic modernity.