探复古思潮下元代书画的不平衡发展

Unbalanced development of the yuan dynasty calligraphy and painting

顺着历史的脉络,享受着艺术带给我们的精神愉悦,突然在元代小停一下,因为心中有一个疑虑,即为什么元代的书画发展如此不平衡?人们每每谈起元代人的文人画无不称好,而对于书法却平平带过。本文通过查阅相关资料结合作者本人的观点,从书与画的自身发展规律、当时的政治背景、赵孟頫的影响以及刻贴因素几个方面来论述,试着阐述这种状况的原因。

Along the history context, enjoying the art to bring our mental pleasure, suddenly stop at the small yuan dynasty, because there is a doubt in the heart, why the yuan dynasty calligraphy and painting such imbalance development? People often talk about the yuan dynasty literati paintings all say good, and for calligraphy is flat. In this article, through access to relevant data in combination with the author's point of view, from the book and painting own law of development, the political background, Zhao Meng ǒ《–ˉ and carved factors from several aspects to discuss, try to find out the cause of this situation.