上海小校场年画的当代复兴与创新方式思考

Contemporary Renaissance and Innovation of New Year Pictures in Small Schools in Shanghai

作为中国传统木版年画史上出现时间最晚,同时也是最后的绽放阶段,上海小校场年画在继承苏州桃花坞年画精髓的基础上,融入地域、时代特色,逐渐形成了具有海派风格的年画流派。文章首先对小校场年画的起源、发展作简要叙述,其次对其艺术特色进行解读,继而通过既有案例的分析与总结,尝试探索小校场年画在当代的新的发展方式,以期推动这一传统艺术文化的复兴。

As the latest and last blooming stage in the history of Chinese traditional woodcut New Year Painting, Shanghai School New Year Painting has gradually formed a school of New Year Painting with Shanghai style on the basis of inheriting the essence of Taohuawu New Year Painting in Suzhou and integrating regional and epochal characteristics. This article first gives a brief account of the origin and development of the New Year pictures of small schools, then interprets their artistic characteristics, and then tries to explore a new way of development of the New Year pictures of small schools in the contemporary era through the analysis and summary of practical cases, with a view to promoting the revival of this traditional art and culture.