西藏当代音乐创作研究

A research on the production of Tibetan contemporary music

西藏当代音乐创作是西藏当代音乐事业的重要组成部分,是西藏文艺事业发展不竭的动力源泉。同时,也是西藏文明不断借鉴和吸收外来文化逐渐形成的,具有高原特色的文化象征。1951年,西藏和平解放,标志着西藏当代音乐进入了一个崭新的历史时期,拉开了新时期音乐创作的序幕。西藏当代音乐创作主要分为歌曲创作与器乐创作两个重要组成部分,其蓬勃的发展为西藏当代音乐事业做出了巨大贡献。本文通过对西藏当代音乐创作发展进行梳理与总结,揭示当代音乐创作的发展状况,为今后的音乐创作提供一定的借鉴价值,推动当代音乐创作的发展与音乐事业的进一步繁荣。

Contemporary music creation is an important part of contemporary music career in Tibet which is also an inexhaustible source of motivation for the development of Tibetan literature and art. Meanwhile, it is also a cultural symbol with plateau characteristics, which is gradually formed by referencing the Tibetan Civilization and absorbing the foreign cultures. The peaceful liberation of Tibet in 1951 was the symbol of a brand new historical period for contemporary music and the prelude of music creation in new era. Tibetan contemporary music creation is composed of song creation and instrument creation with it,s prosperous development making great contribution to the contemporary music career. This paper reveals the development status of contemporary music creation that provides certain reference value for further music creation, and promotes the development of contemporary music creation and further prosperity of music career by combining and summarizing the contemporary music creation development in Tibet.