百尺竿头,更进一步——对当下西藏舞台藏族舞蹈创作方面的一点思考

Make further progresses——Thoughts on the creative work of stage plays in Tibet

藏族传统舞蹈的舞台化创作肇始于1950年中国人民解放军第18军进藏,经过近70多年的发展,这种舞蹈形式从无到有,从小规模到大面积开展,从无从业者,需要老革命文艺工作者传帮带到已建设成了具有演、编系统和规模化的人才队伍,可以说已经获得了质及量上的突破。进入二十一世纪后,西藏各文艺团体创作的作品在形式和表现上获得了百花齐放、争奇斗艳的生存境遇,各种硬件设施得到了改进,创作了一大批优秀的作品,但同时由于受到商品经济、价值导向的影响,也存在着诸多问题需要解决,本文试图从西藏当代舞蹈的发展史及今后的发展创新谈谈自己的一点思考,想为西藏的舞蹈建设尽一份绵薄之责。

The stage performance of Tibetan traditional dance first began in 1950 when the 18 th army unit of the People’s Liberation Army of China entered Tibet. With nearly 70 years of development, this form of dance has started from zero, expanded from small-scale to large-scale stage plays, from no practitioners to a talented and systematic team with capabilities in performance and production. The development attributes to the contributions of the senior and experienced revolutionary artists, who have assisted the exceptional improvement on stage performance in terms of quality and volume. After entering the 21 st century, the various literary and arts troupes in Tibet Autonomous Region have thrived in formats and presentations with modifications on hardware facilities and a large number of excellent works have been created. However, various constraints and challenges are yet to be resolved, such as influence of commodity economy and value orientation in the society. This article explores the history of modern Tibetan dance and its future innovations, with the aim to provide constructive thoughts and contribution to the overall development of the sector.