论非物质文化遗产壮剧的现代性发展——基于壮剧三大流派特点与采访的思考

The Thinking of the Development of Modern Zhuang Opera based on the Characteristics of the Three Major Schools of Zhuang Opera and Interviews

对广西壮剧的三大流派--师公戏、南路壮剧和北路壮剧进行历史溯源,并介绍其各自的声腔、身段等艺术特征;结合对国家级壮剧传承人张琴音老师等戏曲艺术家的采访,探讨广西壮剧在传承和发展过程中出现的“歌剧化”现象,运用传播学理论对现代壮剧的传播和革新提出建议,使更多的人意识到保护和传承我国非物质文化遗产的必要性。

This paper traces the history of the three major schools of Zhuang opera in Guangxi --sorcerer opera,southern Zhuang opera and northern Zhuang opera,and introduces their respective artistic features such as vocal tract and figure. Combining interviews of the national intangible cultural heritage bearer of Zhuang opera Zhang Qinyin and other opera artists,the papers discusses the internation. al operatic phenomenon in the process of inheritance and development of Guangxi Zhuang opera,and basing on the communication theory tables some proposals about communication and innovation of modern Zhuang opera,which may inspire more people realize the necessity of intangible cultural heritage in China.