山海之隔:贬谪意象的生成与衍变——以《囚山赋》与《幽海赋》之比较为中心

Generation and Change of Relegation Image:A Case Study of Qiushan Fu(囚山赋) and Youhai Fu(幽海赋)

金镇圭拟柳宗元《囚山赋》而作《幽海赋》,"幽昧之罪"的共同贬谪性质使二人产生跨越时空的情感共鸣,其文本上的最大差异是贬谪意象由"山"到"海"的转变,这种现象并非特殊,古代朝鲜被贬谪或流放之人的诗文中常常出现"海"意象,其与贬谪意蕴的联结象喻海之"牢狱",在大量的创作实绩中,形成贬谪文学之特殊题材"囚海文学"。山水与贬谪文学的互动具有"江山之助"与"虚构超越"的双向性质,主体情感在此过程中分别导向"山水之乐"与"山海之隔",《囚山赋》作为经典作品的典范意义与朝鲜半岛特殊的地理因素正是导向后者的重要原因。山海意象之贬谪意蕴也因之于不断的创作实践中得以固化。

Jin Zhengui created Youhai Fu(幽海赋) by imitating Liu Zongyuan's Qiushan Fu(囚山赋).The common relegation nature of "dim and unclear charges" makes them produce emotional resonance across time and space.The biggest difference between the two pieces of Fu is the transformation of the image from "mountain" to "sea".This phenomenon is not special.The image of "sea" often appeared in the poems and essays of relegated or exiled people in ancient Korea.Its connection with the implication of relegation symbolizes the "prison" of the sea.With a great number of such images,a special theme of relegation "Marine Prison Literature",was formed.In the interaction between natural environment and relegation literature,the emotions of the creative subject are directed to "the joy from nature" and "the barrier of mountain and sea".The paradigm meaning of Qiushan Fu (囚山赋) as a classic work and the special geographical factors of the Korean Peninsula are the important reasons for the latter.The implication of relegation of the image of mountain and sea has also been solidified in the constant creative practice.