黄道周楷书创作审美师承及内涵探析

On the Inheritance of Aesthetics and Connotation in Huang Daozhou’s Creation in Regular Script

黄道周楷书创作审美源于对钟繇《宣示表》《荐季直表》《墓田丙舍帖》、欧阳询《千字文》、颜真卿《东方朔书赞碑》等碑帖的研习,也源于对王羲之、苏东坡等名家楷书的临摹。黄道周楷书创作具有遒媚、质朴、峭厉和“大道”之美等审美内涵。黄道周楷书创作所拥有的这些审美内涵,都具有高质量的创造性和艺术价值,是黄道周对中国书法创作审美历史的重大贡献。

The aesthetic appreciation of Huang Daozhou’s creation in regular script originated from the study of Zhong Yao’s Declaration, Recommendation of Jizhi, and other calligraphic copybooks;Ouyang Xun’s Thousand Words and Yan Zhenqing’s Tablet on Dongfang Shuo’s Books, as well as from the imitation of Wang Xizhi and Su Dongpo's famous regular scripts. Huang’s creation in regular scripts has the aesthetic connotations such as the beauty of magnificence, simplicity, steepness and “Taoism”. These aesthetic connotations possessed by his regular script creation are of high-quality creativity and artistic value, which is a great contribution to the aesthetic history of Chinese calligraphy creation.