从于连的裸体观探究中西画论之歧

An Exploration of the Differences Between Chinese and Western Painting Theories Through Jullien’s Views on Nudity

于连以其独特的西方人视角探析裸体何以在中国画中缺席,涉及到塑造中西画论的各种因素,是中国“道”本思想与西方逻各斯中心主义的碰撞。通过对裸体这一特殊的艺术表达方式的分析,比较中西画论从生发阶段到发展阶段的差异。中国传统绘画中缺少裸体描绘的原因表现为两方面:一是古典哲学智慧生发阶段对世界和自身的认知,二是文化艺术对世界和自身的改造,即表现方法。

With an unique western perspective, Jullien explores why nudity is absent in Chinese paintings, including various factors in shaping painting theories between China and the west which represent the collision of the idea of "Tao" in China and western logocentrism. Through the analysis of nudity, a special artistic expression, the differences between Chinese and western painting theories from the germination stage to the development stage are compared. There are two reasons for the lack of nudity in traditional Chinese painting: one is the recognition of the world and itself in the growth stage of classical philosophy;the other is the transformation of the culture and art to the world and itself, that is, the method of expression.