中国油画人物创作审美意向转变

On the Aesthetic Inclination Change of Figure Creation in Chinese Oil Painting

油画创作传入中国至今已有百年历史.近代中国油画人物创作经历了由引入与写实手法的生成、苏联艺术的借鉴及改革开放后的革新三个阶段.通过各阶段艺术价值观审美意向的探索与重塑.梳理出社会意识形态与油画创作实践的相互关系.探索历史与艺术发展的有机统一.提出在当今审美多元化的视域下.契合新时代文艺方针和社会主义核心价值观.中国油画应汲取东西方文化精华.探索技法的创新和对新时代精神的呈现.来创作出彰显时代主旋律的精品力作。

Since its introduction into China, oil painting has developed in China for about 100 years. In modern times, Chinese oil painting has undergone three periods of development in figure creation: from its introduction to the realistic creation to borrow from the artistic creation from the former Soviet Union,the artistic reformation after the reform and opening-up policy in China. This paper discusses the exploration and reformation of the aesthetic inclination in the three different artistic periods,sums up the mutual relationship between the social ideology and oil painting creation,and probes into the dialectical unity of history and arts development. It is proposed that under the perspective of contemporary multi-aestheticism,Chinese oil painting is expected to meet the socialist core values of the new era by absorbing the essence from both the western and Chinese culture, and to explore artistic technique creation so as to better present the spirit of modern times and produce masterpieces which can best resemble Zeitgeist.