隐喻:近年来国产犯罪题材影片的另一种叙事——以《天注定》《暴裂无声》《暴雪将至》等影片为例

Metaphor: Another Narrative of Domestic Crime Films in Recent Years——A Case Study of The Three Movies

隐喻的叙事手段在近年来国产犯罪题材电影中被大量使用,这使得犯罪题材电影的整体艺术风格呈现出类型叙事之外的某些新变化。隐喻叙事产生的多义性、复杂性,不仅增强了影片的阅读快感,更体现出近年来国产犯罪电影创作在叙事手法和审美意蕴上所作的开拓性努力。

As the major means of narration, metaphor has been widely adopted in domestic crime movies in recent years, which has brought changes to the overall artistic style of crime movies in addition to typologized narration. The ambiguity and complexity of metaphorical narration not only enhances the pleasure of reading, but also reflects the exploring efforts made in narrative techniques and aesthetic implications in domestic criminal film creation in recent years.