摘要
《镜花缘》前四十回不同国度的游历叙事空间与《西游记》相关情节安排形成了鲜明对比。前者是科考失意文人无意经商的海路游历,后者是唐僧师徒一行有意取经的陆路见闻;前者以唐敖服食仙药仙草、了道成仙为结局,后者以孙悟空等斩妖除魔、西天封佛而收尾;前者以贬抑武周王朝和宣扬殊方异域文化为中心,后者以褒扬李唐王朝中土正统文化为主旨。两部小说大体一致的游历叙事空间结构艺术与“寻求”母题有关,只是因为二者借以表现的宗教思想体系不同,才有了有意为之的差异。
The travel narrative space in different countries of the first 40 chapters of Flowers in the Mirror has formed a sharp contrast with the relevant plot arrangement of Journey to the West.First,the former is a sea tour of the frustrated literati who have no intention of doing business,and the latter is a land experience of the group of monks who the intention of seeking Buddhist scriptures;Second,the former ended with the Immortals by taking the elixir,and the latter ended with the Buddha by killing monsters;Third,the former is centered on the devaluation of the foreign culture of the Wuzhou dynasty,and the latter is to praise the Orthodox culture of Litang dynasty.This generally consistent structure art of traveling narrative space is related to the same "seeking" motif of the two novels. There is a relative difference of intention just because of the different religious ideological systems.
作者
李传江
LI Chuanjiang(School of Liberal Arts,Lianyungang Normal College)
基金
教育部人文社会科学研究规划基金项目“区域文化视域下的明清两淮盐业文学研究”(项目编号:19YJAZH038)
江苏高校“青蓝工程”资助项目(2018年中青年学术带头人培养对象)
关键词
《镜花缘》
《西游记》
游历
叙事空间
Flowers in the Mirror
Journey to the West
travel
narrative space
