东晋“依仁游艺”隐逸模式及其时代特征——以戴逵为个案

Hermit Mode of “Yiren Youyi” in Eastern Jin Dynasty and Its Characteristics——A Case Study of DaiKui

东晋时期,有一种“依仁游艺”的隐逸模式,它以儒学立身,以“游于艺”为人生依托和崇高境界。其中代表人物戴逵,继承了儒学与隐逸结合的传统,并顺应时代的发展,投身于绘画和雕塑艺术之中,扩展了“艺”的外延,在人生方式和艺术创造两个方面,为后世做出了典范,产生了深远的影响。

In the Eastern Jin Dynasty, there was a hermit mode called “Yiren Youyi”, that is, to base moral standards on the thought of benevolence and to seek relaxation and enjoyment in the six arts. This mode is based on Confucianism and regards pursuit of six arts as life goals and lofty ideals. Dai Kui, as a representative figure of this mode, inheriting the tradition of combining Confucianism with hermitship and keeping step with the era, devoted himself to painting and sculpture. He expanded the extension of arts, setting a good model of lifestyle and artistic creation for and exerting a far-reaching influence on the later generations.