车站离别场景探究——以珍妮和伏伦斯基的悲剧结局为例

A Study on the Scene of Departure in the Station:Taking the Tragic Ending of Jennie and Vronsky as the Example

相对于中国古典文学的别离地点,车站总是缺乏一种意象美,但是作为典型的现代性“非场所”,车站打通了私人情感与公共领域隔阂的空间。“守望者”珍妮与“离人”伏伦斯基作为离别场景中的对立形象,他们的悲剧结局凸显了离别主题下个体命运的孤独,折射出人类终将面临的离别宿命。车站离别带来的特殊审美意蕴和哲思,让因孤独而生的共鸣感在“净化”中得以升华。

Compared with the departure place of Chinese classical literature,the station always lacks an image beauty.But as a typical modern "non-place",the station breaks through the gap between private emotion and public sphere.As the opposite images in the parting scene,the tragic ending of "Keeper" Jennie and "Leaver" Vronsky highlights the loneliness of individual destiny under the theme of parting and reflects the parting fate that human beings will eventually face.The special aesthetic implication and philosophical thinking brought by the departure from the station make the empathy engendered by loneliness sublimate in the process of purification.