摘要
利用文本分析和叙事分析的方法,对英格玛·伯格曼导演的作品进行了研究,发现伯格曼的电影在叙事上、风格上受室内心理剧影响很大,其中淡化戏剧冲突、简化人物关系、对白冗长都是伯格曼擅用的叙事技巧。伯格曼常利用梦境把现实世界与精神世界连接起来,采用梦境-现实-幻觉交叉叙事的方式来探索剧中人物的内心世界,表达主题内涵。研究表明无处不在的孤独、充满背叛的爱情是伯格曼电影一贯的主题。阐释了伯格曼电影的社会意义和现世价值。
Using the methods of text analysis and narrative analysis,this paper studies the director Ingmar Bergman and his works,and finds that Bergman′s films are greatly influenced by indoor psychodramas in their narrative style.Among them,Bergman′s good narrative skills are to dilute dramatic conflicts,simplify the relationship between characters and lengthen the dialogue.Bergman often uses dreams to connect the real world with the spiritual one to explore the inner world of the characters in the play and to express the connotation of the theme by means of cross-narrationof dream-reality-hallucination.Research shows that the ubiquitous loneliness and the betrayal of love is the constant theme of Bergman′s films.
作者
郎滨
宋海燕
LANG Bin;SONG Haiyan(College of Literature and Media,Chizhou University,Chizhou,247000,China)
出处
《宿州学院学报》
2019年第6期44-47,共4页
Journal of Suzhou University