摘要
通过长期研究,目前我国音乐学界已对中国传统音乐的基本理论有了一定程度的认识,而作曲实践又在当代音乐生活中具有引领作用,因此将目前已知的中国音乐基本理论有计划地介绍给大家,并推动作曲家运用到他们的创作实践中去,是建立中国音乐理论话语体系的一项重要任务。本文讲述了中国传统乐理中有关旋宫、犯调、调转换等方面的理论成果,希望它们能在作曲实践中得到运用。
After years of research,Chinese scholars have gained a level of understanding in the realm of Chinese traditional music theory.Music composition practice has a leading role in contemporary musical life.The reforeone of the main tasks in establishing a Chinese music theory system is to strategically introduce Chinese music theory and urge composers to apply it in their own compositions.This paper describes Chinese traditional music theory in the areas of key-change,transient modulation and transposition,and aims to apply them to the practice of music composition.
出处
《音乐文化研究》
2019年第2期48-53,M0003,共7页
Music Culture Studies
关键词
旋宫
犯调
调转换
反调
反膛
Key-change(xuangong)
Transient modulation(fandiao)
Transposition
Modulation from the tonic to the dominant(fandiao)
Tonal inversion(fantang)