清末民初上海戏剧舞台中光的应用解析

An Analysis of the Application of Lighting in Shanghai-style Peking Opera

对"光"这一要素在中国传统戏剧舞台空间中持续的、多角度的探讨,海派京剧是开先河者。彼时的戏剧批评家对海派京剧的舞台表现方式多持否定态度,认为这是一种浅层的、媚俗的商业性尝试。然而,新的要素在舞台空间中被运用和消化需要经历漫长的探索过程。以"光"在海派京剧中的运用为切入点,通过史料文本的深入解读可以发现,这一要素与舞台空间、戏剧叙事的关系探索实际上经历了从相互分离到逐步融合的过程,并最终达成了与其他要素的有机配合。"光"恰当地从属于舞台空间,与其他要素一同完成了对戏剧艺术这一整体的呈现。

The Shanghai-style Peking Opera could be considered a pioneer in the continuous and multi-angled discussion of the elements of lighting in the space of traditional Chinese Xiqu. Critics of Xiqu at that time mostly took a negative attitude towards the stage presentation of Shanghai-style Peking Opera, taking it to be a shallow and vulgar commercial attempt. However, the application and assimilation of new elements in the Xiqu space took a long time of exploration. Focused on the application of " lighting" is Shanghai-style Peking Opera, through in-depth interpretation of historical materials and texts, this paper reveals that the relationship between lighting on the one hand and stage space and Xiqu narrative on the other hand has actually gone through a process from separation to gradual amalgamation. They finally reach a comprehensive integration with other theatrical elements. Lighting is subordinate to the stage space and completes the wholistic presentation of theatrical art with other elements.