实证思维下“民族声乐演唱技术到艺术”的美学思考

From Techniques to Art: Some Aesthetic Reflections on National Vocal Music Viewed from Positivism

中国民族声乐艺术在漫长的发展过程中,一直以曲折中上升的姿态稳步向前,经历了从演唱技术到作品艺术最终上升为文化心术的蜕变。目前有关我国民族声乐研究的大多文章局限于具体声乐作品的个案分析并从中探索民族声乐艺术演唱规律,远不足以反映学科发展现状。以实证思维角度入手,从民族声乐演唱的技术到艺术的美学定位、民族声乐演唱技术到艺术美学原则探究以及民族声乐演唱技术到艺术扩展的价值意义3个方面探索中国民族声乐“技”“艺”融合的美学规律,为中国民族声乐艺术美学研究提供参考。

China national vocal music has undergone a long and zigzagged way of development. The studies on it have been centered on case studies of vocal works, trying to clarify the law of singing, which is far from reflecting the current state of this discipline. The interrelationships among techniques, aesthetics and the artistic expansion concerning national vocal music are expounded in the article, which reveals the aesthetic connotation of combining technique with art in China national vocal performance.