西藏吉隆县青嘎石窟寺3号窟壁画初探

A Study of The Mural Painting of Cave 3 in Phyingdkarphug Grotto, sKyidgrong County, TAR

位于西藏吉隆县杂龙村的青嘎寺是新发现的一处大型石窟群,其中的3号窟保存有较为完好的壁画和题记。初步研究表明,该石窟壁画由当地普通信众集资绘制,题材融嚼举派和格鲁派于一体,风格受到西藏腹地曼塘(sman thang )画派的影响,系格鲁派明末清初在吉隆县传播的重要遗迹之一,这一石窟群遗迹对研究格鲁派在西藏的传播与其他教派的融合、西藏普通信众对于藏传佛教的信仰以及地方基层职官“十户长”等,均具有较为重要的学术价值。

PhyingdkarPhug Grotto at rTsa lung village of sKyidgrong County in the Tibetan Autonomous Region (TAR) is composed of group caves, among them Cave 3 has the well-preserved mural painting with inscriptions. The study suggests that the Buddhist paintings donated by the local followers present thematically the fusion of bKavbrgyudpa and dGe lugs pa sects under the influence of the sMan thang school of the central Tibet. They survive as the historical remains to demonstrate the dGe lugs pa spreading into sKyidgrong County during the late Ming and the early Qing Dynasty. The group caves are informatively valuable for the study of dissemination and fusion of the dGe lugs pa with other religious sects in Tibet, the local peoples worship to Tibet Buddhism and the official rank title at grass root in the area in history.