摘要
辽墓壁画中,对于人物形象的描述风格写实,对于女性人物形象描述鲜少植入感情指向,本文以通辽市库伦旗奈林稿苏木前勿力布格村中两座在表现男性与女性形象具有突出特点的墓室壁画为例--1号与6号辽墓壁画,尝试从墓室壁画的切入点,对当时墓室壁画中女性人物形象刻画方式的社会观念等原因进行分析,研究表明她们有着汉文化中女性所没有的相对平等权力。
In the murals of Liao Tomb, the description style of the characters is realistic, and the description of the female characters is rarely implanted into the emotional orientation. This article is based on the performance of male and female in the two villages of the No. For example, the murals with prominent features of the tombs-the 1st and 6th Liao tomb murals, try to explore the social concept of the way the female characters are portrayed in the mural paintings at the time.
作者
文菱
WEN Ling(Chifeng University,Chifeng 024000,China)
出处
《赤峰学院学报(哲学社会科学版)》
2019年第6期1-4,共4页
Journal of Chifeng University:Philosophy and Social Science Chinese Edition