张恨水《啼笑因缘》与20世纪30年代武侠电影叙事模式的嬗变

Zhang Henshui’s Novel Sadness and Happiness Destined and the Narrative Mode Evolution of Martial Arts Movie in the 1930s

张恨水在《啼笑因缘》中尝试加入了武侠叙事,形成了“言情+武侠”的别致风貌。与同时代的武侠小说相比,该小说体现了独特的武侠人物塑造理念和全新的侠义情节构成模式,从中可见一种较新的武侠叙事模式。《啼笑因缘》历经多次电影改编,先后被张石川、李晨风、王天林、关山、楚原等人导演成电影。该系列电影表现出与中国现代影坛上风行一时的《火烧红莲寺》《儿女英雄》《荒江女侠》等武侠电影相异的叙事模式和理念,在中国电影史上也影响巨大,促进了中国现代言情武侠电影的发展。

Zhang Henshui attempted to affiliate the narrative mode of martial arts in his novel Sadness and Happiness Des tined to establish the unique style of “romantic story + martial arts”. Compared with the martial arts novels of the same times, his novel demonstrated characters of unique ideas of martial arts and the new plot formation pattern of marital arts, so that a new nar rative pattern of martial arts was visible. The novel Sadness and Happiness Destined had been adapted into films by Zhang Shich uan, Li Chenfeng, Guanshan and Chuyuan. The adapted films manifested the different narrative pattern and ideas from that of martial arts films Burning Paradise, Hero and Heroine, and Fong Kong Heroine. The adapted film Sadness and Happiness Destined had a great influence in the Chinese film history, and also promoted the development of Chinese modern sentimental martial arts.