“大女主”剧:理想与现实的博弈——以《知否知否,应是绿肥红瘦》为例

“The Great Lady” Drama:The Carnival of the Doomsday Behind the Flourishing Age

伴随着女性主体意识的觉醒,大女主剧迅速走红且呈现井喷之势。借助网络IP文学与粉丝效应的大女主剧贴近女性群体,成为各大卫视、网站、投资公司的宠儿。但是,其背后仍存在女性形象建构的脸谱化倾向、两性关系建构中的男权依赖倾向、仄狭格局下的价值偏离倾向,这些问题的存在严重阻碍着大女主剧的发展。可以预见,一段时间后,大女主剧将降温,市场应尽快找到合理的解决方案。

With the awakening of women's subjective consciousness, the major actress dramas quickly became popular and showed a blowout trend.With the help of Internet IP literature and fans'effect, the main female drama is close to the female group and has become the darling of major satellite TV, websites and investment companies.But we have noticed that there are still some problems behind it, such as the tendency of masculine image construction, the tendency of male-dominated dependence in the construction of gender relations, and the tendency of value deviation in the narrow pattern.These problems seriously hinder the development of major female drama, so it is necessary to cool down and find a reasonable solution as soon as possible.