苕霅溪山吴苑画——论湖州成为“经典书画”滥觞之地的因由

Tiaoyanxi Mountain Wuyuan Painting ——On the Cause of Huzhou Becoming the Land of “Classic Painting and Calligraphy”

“中国书画史,半部在湖州”“文化之邦书画之乡”“书画圣地”……多年以来,“国粹”之中国书画之于太湖南岸的湖州,美名深孚;迄今存留于国内外无数文博机构、艺术院校与研究机构的浩如烟海的书画作品,多有涉“吴兴”,无论是字画作者,还是取材或表达内容,借助之笔墨工具或是寻求的旨趣、呈现的风格,都与“山水清远”的湖州有着千丝万缕的联系。“书画之乡”的成因,得益于湖州的自然山水与历史人文的滋育孵化,同时,因着这种“清远”自然“高雅”人文的佳绝特质,湖州成为了国内一个“经典书画”的滥觞之地。

“Half of the history of Chinese painting and calligraphy was created in Huzhou”,and Huzhou is known as “the hometown of cultural paintings and calligraphy” and “the holy place of calligraphy and painting”. For many years,the “Chinese quintessence” of Chinese painting and calligraphy in Huzhou on the south bank of Taihu Lake enjoyed the fame across the nation;Many domestic and foreign cultural and artistic institutions,art academies and research institutes are full of voluminous paintings and paintings related to “Wu Xing”. The authors of calligraphy and painting,the material or expression of content,the writing brush and ink tools and the pursuit of interest and style are inextricably linked to Huzhou. The cause of the “Hometown of Painting and Calligraphy” is from the breeding of Huzhou’s natural landscapes and historical humanities. At the same time,Huzhou became a birthplace of "classic painting and calligraphy" in China because of the “extraordinary” nature of “Qingyuan” and natural “elegance”.