明代词体正变论

On the Orthodox and Heterodox Ideas of the Ci-styles of the Ming Dynasty

明代词学中“正宗”与“变体”的确立过程与明代诗学中的“正变观”呈现出积极同步的互动关系。从陈霆、张沿用宋人的“本色”内涵,张超越宋人提出“以婉约为正”的观点,到王世贞提倡的“崇正抑变”观,再发展到卓人月、孟称舜不以“正变”区分词之优劣的词学“正变观”,无不与诗学正变观的发展息息相关。明代之所以能够确立“正宗”“变体”的词学范畴,与其诗学辨体理论的发展密不可分。

The establishment of the orthodox style and it’s variation in the Ci study of the Ming Dynasty reflects its active interaction with the orthodox and heterodox ideas in the poetic study of the Ming Dynasty.The process of the development from Chen Ting and Zhang Yan’s continuation of the connotative true qualities inherited from the Song Dynasty to Zhang Yan’s advancement in his proposal of upholding the graceful and restrained poetic genre as the orthodox idea,from the view of upholding the orthodox idea and inhibiting the heterodox idea as advocated by Wang Shizhen to Zhuo Renyue and Meng Chengshun’s view of orthodoxy and heterodoxy in the Ci study which is against the idea of judging good and bad Ci’s according to the ideas of orthodoxy and heterodoxy,is closely related to the development of the idea of orthodoxy and heterodoxy in the study of poetics.The establishment of such categories as orthodox style and it’s variation in the study of Ci is the direct result of the development of the theory of the style-discrimination in poetics.