失序的两种形态——以王威廉《获救者》和陈崇正《黑镜分身术》为中心

The Two Aspects of Disorder: Centered by Wang Weilian’s The Rescuer and Chen Chongzheng’s Black Mirror and Body’s Separation

王威廉和陈崇正代表着80后广东作家群的最美收获。王威廉的《获救者》和陈崇正的《黑镜分身术》,二者同时关注到权力和资本运作背景下的失序状态。两位作家对风景、身体和记忆的失序都有深入的描述,然而他们的失序却呈现出两个不同的向度,王威廉的失序表现为政治权力掌控中人心的失序,而陈崇正则表现城乡互动过程中乡村的失序。

Wang Weilian and Chen Chongzheng are the most outstanding representatives of the writers in Guangdong since 1980s. From Wang Weilian’s The Rescuer and Chen Chongzheng’s Black Mirror and Body’s Separation, I find that they are both concerned about the disordered state of the power and the background of capital operations. The two writers deeply have a description of the disorder of landscape, body and memory. However, their disorder has two different focuses. Wang Weilian’s disorder is about the human heart under the control of political power. While Chen Chongzheng shows the disorder of the village in the process of urban-rural interaction.