跨文化诗学:族群混杂与身份跨界的理论图式

Cross-cultural Poetics: Theoretical Schemata of Ethnic Hybrid and Cross-border Identity

当今万花筒式的社会文化形态,凸显了不少国家和地区混杂的“种族与族性”,催生了跨文化诗学。“跨文化诗学”作为伞状概念,不仅给我们提供了跨语境的理论视野,而且它还可以把原来分属不同领域,甚至互不相干的一些理论图式统辖麾下,包括奇卡娜诗学的“新美斯蒂莎”图式、传播学的“周边传播”图式、居间哲思的“林菩狱”图式和少数族文学图式,以及镶嵌型的“唐人街”和“那”文化图式等。跨文化诗学聚焦于文化、族群和身份的混杂性,关注边界、荒界与跨界问题,开启了特殊的学术空间,丰富了后殖民批评、女性主义和帝国研究的思想视野,尤其对族群混杂、身份跨界的文学研究和文化分析具有重要的理论意义。

Nowadays the kaleidoscopic social and cultural situation highlights the mixed “race and ethnicity” of many countries and regions,giving birth to cross-cultural poetics.As an umbrella concept,“cross-cultural poetics” not only provides us with a cross-context vision,but it can also govern some theoretical schemata that originally belong to unrelated fields,including the schemata such as “new mestiza” of Chicana’s poetics,the “peripheral dissemination” of communication,the “Limbo” of philosophizing interality (in-between) and minor literature,as well as the mosaic “Chinatown” and “na”(paddy field) culture.Cross-cultural poetics focuses on the intermixture of culture,ethnic group and identity,pays attention to the issues of borderlands and cross-border,thereout opens up a special academic space,enriches the reflective vision of postcolonial criticism,feminism and empire studies.It has important theoretical significance especially for literary research and cultural analysis of ethnic intermixture and cross-border identity.