摘要
戏曲的观众,是剧目创作最终的完成者,也是戏曲创作、剧目价值实现过程中的重要环节。自戏曲以成熟的形态出现之时,便有戏曲家关注并重视观众的作用。文章具体分析当代戏曲观众进剧场的行为和接受心理的特性,提出如何在戏曲创作过程中站在观众的角度进行创作,来进一步论证戏曲受众接受心理研究对于戏曲创作的重要作用。
The acceptor of opera production is not only the final completion and disseminator of opera creation,but also an important link with the process of opera creation and opera value realization.Since the emergence of opera in a mature form,there have been dramatists who pay attention to the role of the audience.This paper specifically analyzed the behavior and psychological characteristics of contemporary opera audiences entering the theatre,and put forward suggestion on how to win box office and market in the process of opera creation from the perspective of audiences,so as to further demonstrate the important role of psychological research of opera audiences in the opera creation.
出处
《民族艺林》
2019年第2期105-113,共9页
Journal of Ethnic Art
关键词
戏曲观众
接受心理
戏曲创作
戏曲发展
opera audience
acceptance of psychology
literary creation
development of traditional opera