简论元明清戏曲“大团圆”模式及其成因

A Brief Discussion on the Happy-Ending Model of Drama in Yuan Dynasty, Ming Dynasty and Qing Dynasty in China and its Causes

“大团圆”模式是元明清戏曲中普遍存在的一种独特妁文化现象。文章阐述了戏曲“大团圆”模式,又从观众的需求和戏曲商业性、“和”“圆”审美意识、悲剧“补偿”心理、儒家思想的影响及古代言情小说的影响五个方面分析了“大团圆”模式的成因。

Happy - ending is an unique culture phenomenon which is prevalent in the drama of Yuan Dynasty, Ming Dynasty and Qing Dynasty. This article discusses the model of dramas with happy ending and analyze its causes from the perspectives of commercial and audience s need , the aesthetic consciousness of " harmony" and "reunion", compensating psychology of tragedy, the influence of Confucianism and Buddhism, and the ?* influences of the romantic fictions in ancient China.